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Matthew d’Ancona

Christmas would not be Christmas without a Mark Gatiss ghost tale

The Room in the Tower is his eighth festive special for the BBC: long may he continue

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How the Tories will put Farage in No 10

Reform needs a pact to reach Downing Street – and the Conservatives are desperate enough to hand it to them

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Is it time for Adam Sandler's Oscar?

In Noah Baumbach’s Jay Kelly, it is Sandler who steals the show with his best performance since Uncut Gems (2019)

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The year of American carnage

Martial law is on the way in the US - because violence and civil strife, real or imagined, are the dark core of Donald Trump’s aggressively authoritarian governing ethos

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Richard Linklater’s Blue Moon is simply exquisite

Linklater’s film takes on thwarted love and the pain of looming obsolescence. It was easily my favourite from this year's London Film Festival

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Nick Land, the dark magus of AI

The philosopher’s occult vision of artificial intelligence seemed like fringe raving – until it was taken up by tech billionaires and far right thinkers

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Step inside Wes Anderson's world

Not all cinema has to be art. But this exhibition at the Design Museum proves Wes Anderson's most certainly is

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Hey liberals! What you gonna do?

The right are undermining the institutions of liberal democracy. Progressives must change tack to stop them

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The urgent and dramatic power of Nuremberg

It may lack the innovation of Jonathan Glazer's The Zone of Interest, but James Vanderbilt’s compelling film still makes for essential watching today

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Nick Fuentes, American Nazi

Fuentes is a racist, a Holocaust denier and an admirer of Hitler – and he is now on the verge of the US political mainstream

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Anemone is a seriously accomplished debut

This film is a fine addition to Daniel Day-Lewis’s body of work, one of the greatest in cinema

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Reading is the new resistance

In this age of rage, books restore to us what algorithms have removed – the ability to think as others think

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This Othello is a tour de force

At the heart of Tom Morris’s brilliant production is Toby Jones’s astonishing performance of Iago. It is, by far, the best I've ever seen

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Are these the best horror films ever made?

From The Shining to Get Out, here's our editor-at-large's guide of what to watch this Halloween

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Springsteen: Deliver Me from Nowhere is music to your ears

Scott Cooper’s superior biopic is a nuanced and absorbing account of a very particular cultural and personal moment in time

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Donald Trump’s very explosive peace

Trump has declared victory for himself – but without compromises and cash to rebuild Gaza, his hopes are built on sand

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After the Hunt storms into the culture wars

Bold and unsettling, Luca Guadagnino’s latest project easily transcends its contemporary source material

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It had to be Trump.. and that’s embarrassing

A bullying autocrat has succeeded where years of calm diplomacy failed. Progressives must ask why

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The reliable joy of Andrew O’Hagan

Fact or fiction, O'Hagan's use of language always delivers on both wit and sheer beauty. His latest book, On Friendship, is no exception

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The Jewish suitcase is back in the hall

After Manchester, many British Jews are asking why they should remain in a country where they feel despised

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The Smashing Machine's Dwayne Johnson is nothing short of a revelation

The former professional wrestler has proved himself a screen performer to be taken very seriously indeed

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The sick age of conspirituality

Egged on by Trump and RFK Jr, a deadly blend of conspiracy theory and wellness woo-woo is going mainstream

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Why One Battle After Another must win Best Picture

Sensational and deeply cerebral, Paul Thomas Anderson’s 10th feature film is a stone-cold masterpiece

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MAGA is now a holy war

The death of Charlie Kirk has resurrected Donald Trump’s movement as a vengeful crusade for America’s soul

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Slow Horses, a metaphor for post-Brexit Britain

Mick Herron’s spy thriller series and Will Smith’s magnificent adaptation have become pitch-perfect accompaniments to the shabbiness and disillusionment of Britain today

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Ian McEwan’s sinking feeling

In What We Can Know, our greatest living novelist sees the UK slip beneath the waves – and looks for light in a drowned world

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David Bowie, the Great Curator

Major Tom may be gone, but the new David Bowie Centre at V&A East displays the extraordinary treasures he left behind

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The civil legacy of Charlie Kirk

Charlie Kirk's politics were not my own. But the least he and America deserve, on this blood-stained morning, is a moment of civility

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Dear liberals, don’t forget what free speech means

Too many progressives have forgotten the importance of free speech. It’s time to speak up

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Tom Cox, one of our best authors

Every new book by Tom Cox is a treat and his third novel, Everything Will Swallow You, is no exception

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Tommy Robinson’s long shadow

Easily dismissed as a diminutive thug, the unfortunate reality is that he understands perfectly the role he has to play in propagating hateful racist nationalism in a country increasingly receptive to his message

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Caught Stealing, Darren Aronofsky's love letter to New York

Aronofsky can miss the mark when he over-conceptualises. But this very entertaining gangland caper is infectious

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