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Matthew d’Ancona

Criminal Record has the makings of a classic

The cop drama is compelling, fiercely contemporary and underpinned by mighty performances by Cush Jumbo and Peter Capaldi

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How to stop the next Trump

The president’s apocalyptic threats should spur major constitutional change

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What everyone gets wrong about The Stranger

After years of misinterpretation, François Ozon’s blank and beautiful movie truly understands the Camus classic

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Welcome back to Gilead: The Testaments is a triumph

Violence and cruelty lurk at the lavishly appointed finishing school for daughters of the patriarchal regime

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How MAGA ate itself

Iran, Israel and insults have torn Trump’s alt right army apart

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The Pitt: One hospital, one hour, one hell of a show

Noah Wyle is exceptional in the best medical drama for years

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To Trump, Iran isn’t war – it’s showbiz

More than 1,300 dead, up to 3.2m Iranians displaced, shockwaves through the world economy - and the president is having the time of his life

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The chaotic magic of Rebecca Lucy Taylor

The singer also known as Self Esteem is phenomenal as she follows revival in a revival of David Hare’s Teeth ’n’ Smiles

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How Europe can win the war after the war

Reshaping our place in the post-Trump, post-Brexit, post-Iran world is about strength, not virtue

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A Pale View of Hills is an exquisite ghost story with a twist

A haunting literary adaptation is laced with grief and guilt

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Trump’s Iran war is a family business

The president’s attack on Iran is about building an American dynasty – and stuffing his family’s coffers yet further

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Matthew d’Ancona’s culture: Tommy Shelby returns to wage a holy war

Cillian Murphy rides again in an Arthurian finale to the Peaky Blinders saga

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What Ken Burns’s new documentary tells us about America

Ken Burns, the great documentary-maker, returns with a masterful study of the American revolution. The resonances for the present day are hard to miss

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The enduring influence of Tracey Emin

Tracey Emin: A Second Life establishes beyond doubt her significance in British artistic history

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A scandal that leads everywhere and infects everything

The Epstein revelations have provoked fury around the world. That anger could spell the end of the ‘Epstein class’. But it could also have much darker consequences

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The Secret Agent's carnival of death

Wagner Moura is magnificent in a Brazilian thriller that’s a stone-cold masterpiece

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“Wuthering Heights” is a camp triumph

Emerald Fennell’s third film is far from a well-behaved literary adaptation, but it's thoroughly enjoyable

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The God delusions of Jeffrey Epstein’s secret brotherhood

The paedophile fixer’s depraved, narcissistic, super-rich circle have come to believe that they are beyond mortality and morals

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Kristen Stewart’s brilliant directorial debut is a sophisticated gut-punch

The Chronology of Water is gruelling and honest – and Imogen Poots has never been better

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Tucker Carlson, podcaster president?

The enormous span of the right wing pundit’s ambition is becoming increasingly clear

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The enchanting power of Richard Linklater

Once again, the director’s Nouvelle Vague is a love letter to a cultural milieu and an enchantment in its own right

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How to build a world after America

The task of the post-second world war architects was daunting; but the challenges facing us now are much more complex. Here are six recommendations for revitalising Europe in the new era

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In No Other Choice, modern men are in crisis

At the heart of Park Chan-wook’s dark satire is the question of, when faced with the loss of status, how far will the modern man will go to restore it?

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Trump’s supersized Suez moment

In 1956, Eisenhower humbled Britain. In 2026, Trump wants to humiliate the entire Western alliance

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Is 28 Years Later: The Bone Temple our future?

Nia DaCosta takes the reins in this no-holds-barred exploration of cults, superstition and what happens to humanity when reason collapses

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Trump’s dark age of spectacle and power

A president without decency or any interest in policy runs America like a TV show: gripping its audience with shocks, suspense and relentless action

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Hamnet is powerful because it's unsentimental

There is not a shred of sentimentality in Chloé Zhao’s magnificent adaptation of Maggie O’Farrell’s 2020 novel. This is where its brilliance lies

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The case for a new Britishness

The social contract must be revitalised or populists will replace it with something much worse. That means citizenship should involve allegiance to a shared way of life

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The Night Manager returns - and it's what John le Carré would've wanted

Lifelong devotees of John le Carré need not worry, the saga of Jonathan Pine is in safe hands with screenwriter David Farr

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The beginning of the end for Donald Trump?

As his poll ratings tank ahead of November’s midterms, splits are emerging in his MAGA movement. Can the Democrats unite and capitalise?

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A euphoric Odyssey through 2026

Zendaya and Nolan return, Blade Runner expands and Peaky Blinders concludes. What our editor-at-large is most looking forward to in 2026

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Citizen Trump and the battle for Hollywood

The president is moving beyond politics – and seeking to claim control of what Americans watch

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