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John Bleasdale

Exclusive: Jim Jarmusch on psilocybin, Buddhist jokes and turning Tom Waits into an asshole

In his only UK interview for Father Mother Sister Brother, the director opens up about his films, his inspirations and why he hates rehearsals

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Whatever happened to the great film comedy?

Movies intended to make you scream with fright are everywhere. Ones to make you scream with laughter, not so much

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Why won’t young US celebrities speak out against Trump?

The No Kings protests were heartening - but they exposed an absence of younger stars willing to stand up

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George Orwell wasn’t a prophet – he was a warning

Raoul Peck, the director of Orwell: 2+2=5, on how the writer’s message is missed and misused – and what he would have thought of Trump and Gaza

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More quiet, fewer boobs. Is this Paolo Sorrentino’s most subversive film?

The director on his stylistic shift in the acclaimed La Grazia - and his despair at modern politics

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A night when the Oscars almost mattered

Winners like Jessie Buckley, One Battle After Another and Sinners were predictable – but the fighting spirit of cinema offered a bit of hope

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Why is every big movie now so excessive and exhausting?

The Bride, Wuthering Heights, even One Battle After Another prioritise mayhem over coherence

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Snubbed: The films and actors that should win these Oscars

From Imogen Poots to Orwell 2+2=5, the best actors and films that weren't even nominated

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Rosebush Pruning, a film that needs ruthless pruning

Future James Bond Callum Turner can’t save a pointless family drama about unhappy rich people

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Yellow Letters, the perfect winner of an imperfect Berlin film festival

A film about the cost of standing up for what you believe in is a stark contrast with the festival’s mealy-mouthed treatment of Gaza

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The film for teens that hates teens

In Good Luck. Have Fun. Don’t Die, Sam Rockwell and Gore Verbinski poke fun at the young’s tech addiction - without realising that older generations are even worse

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Travis Bickle, the first incel

Taxi Driver is 50 years old but its main character’s sexless white supremacy makes it more relevant than ever.

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The Berlin Film Festival’s cowardly retreat over Gaza

By ducking tough questions about Gaza at its opening press conference, the Berlin Film Festival has enraged film-makers, signalled its own irrelevance… and put genocide in the headlines

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A demon toilet, a time portal and a scammed goat farmer: New films you can’t miss

Chronovisor, Bowels of Hell and Variations on a Theme stand out at the Rotterdam Film Festival

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The withering lows of Emerald Fennell’s Wuthering Heights

The Saltburn director ropes in Margot Robbie and Jacob Elordi to give a bleak classic the Bridgerton treatment

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Awards season is bad for cinema

The Baftas are coming. The Oscars are next. And yet again, they’ll reward hopelessly middlebrow films that honour the ruling ideas of the ruling class

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Epstein, Eyes Wide Shut and Hollywood’s sad fantasy of elegant evil

Kubrick made elite depravity look operatic. The Epstein files show the real thing as vile and vacuous

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Melania’s Leni Riefenstahl: The queasy resurrection of Brett Ratner

The director of the first lady’s troubled new film was the centre of serious accusations of sexual assault

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Is Timothée Chalamet taking the piss?

The Oscar-nominated star of Marty Supreme is either unbearably self-confident — or quietly hilarious

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The canonisation of David Lynch

A year after his death, the Twin Peaks director is universally loved. Would this Don of darkness really be happy about that?

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Death to the celebrity documentary

From the Beckhams to Eddie Murphy and Charlie Sheen, they promise truth but deliver reputation-laundering dressed up as intimacy

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Why Hamnet doesn’t get Shakespeare

Chloé Zhao’s film is deeply felt and beautifully made – but misses the essence of what made the playwright so great

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More close encounters: the must-see movies of 2026

A new Spielberg, a remake of The Bride of Frankenstein and an exploration of the Moroccan outdoor rave scene are among the films to watch out for this year

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The trouble with Brigitte Bardot

The actor, activist and icon didn't care what anyone thought of her. That was both her greatest strength and her fatal flaw

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Renate Reinsve’s impossible journey

The star who began in children's theatre in a Norwegian forest is Oscar-bound with Sentimental Value

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The weird and dangerous history of Hollywood snow

The white stuff in big movies isn’t real - sometimes it’s bleached cornflakes, sometimes fire extinguisher foam.. and it used to be asbestos

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Avatar is the biggest film franchise that no-one really cares about

James Cameron’s CGI sci-fi epics are a box-office phenomenon - but also completely forgettable

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Why The Shining is a Christmas film

Forget Die Hard. Stanley Kubrick’s The Shining is the perfect Christmas movie

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Rob Reiner understood what Trump never will: Love and being funny

The president’s social media messages about the murdered director reveal him as a humourless, bitter bigot

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When did George Clooney lose it?

The suave star once tested himself by working with prestige directors. Now he’s phoning it in in fluff like Jay Kelly

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Leatherface and me: the Chainsaw that won’t stop

The Texas Chainsaw Massacre is the most terrifying film ever made. So why did I watch it when I was 11, and why does it still have a hold on me?

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Train Dreams is the year’s most beautiful film

Joel Edgerton’s career-best performance underpins a modern classic that owes s substantial debt to Terrence Malick

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