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John Bleasdale

Licence to kill a franchise

Daniel Craig’s 007 is dead, yet James Bond will return. Can Amazon revive him without ruining everything?

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The best film festival in Italy and no, it’s not Venice

No red carpets, no gaggles of reporters, no nonsense – just the chance to see all the great films you’ve missed

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Mark Gatiss, the most bookish man on the box

The creator and star of a new postwar drama talks literature, the second world war and unconventional Hollywood marriages

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The insanity and greatness of Apocalypse Now

Apocalypse Now was the one truly great Vietnam movie epic - but however mad was, it could have been a whole lot madder

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Are these the best 10 films of the 21st century so far?

A new list from the New York Times gives an insight into what actors and directors watch. But here is a personal choice

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Our obsession with sequels is ruining movies

Sequels were once considered hack work. Can cinema go back to doing what it does best?

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Adam Curtis’s Conspiracy Cinematic Universe

The documentarian returns with Shifty, another gorgeous fever dream of jaw-dropping clips and head-scratching claims

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Gaza at the movies

In Cannes, the story of a photographer killed by an Israeli air strike and a lo-fi thriller offer different visions of tragedy and retribution in the Middle East

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Ari Aster’s Eddington is not the great Covid movie we’ve been waiting for

The Hereditary director ropes Joaquin Phoenix and Emma Stone into a misanthropic failure of a conspiracy thriller

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Could Tom Cruise’s next mission be the White House?

Having saved the world numerous times on the big screen, could the star be tempted to sort out the world’s problems via political office?

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A continent of Hans Grubers

Why does MAGA hate Europe? Maybe they’ve just watched too many movies...

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The Sorrentino blues

Is Italy’s most famous director all style and no substance?

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Mussolini, Trump and me

‘When did anti-fascism become controversial?’ Director Joe Wright on the future of M: Son of the Century, his streaming series about Italy's fascist dictator

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The Assessment and the mother of all battles

Set in a future where the government decides who gets to have children, The Assessment is a personal triumph for film-maker Fleur Fortuné

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