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John Bleasdale

Rosebush Pruning, a film that needs ruthless pruning

Future James Bond Callum Turner can’t save a pointless family drama about unhappy rich people

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Yellow Letters, the perfect winner of an imperfect Berlin film festival

A film about the cost of standing up for what you believe in is a stark contrast with the festival’s mealy-mouthed treatment of Gaza

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The film for teens that hates teens

In Good Luck. Have Fun. Don’t Die, Sam Rockwell and Gore Verbinski poke fun at the young’s tech addiction - without realising that older generations are even worse

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Travis Bickle, the first incel

Taxi Driver is 50 years old but its main character’s sexless white supremacy makes it more relevant than ever.

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The Berlin Film Festival’s cowardly retreat over Gaza

By ducking tough questions about Gaza at its opening press conference, the Berlin Film Festival has enraged film-makers, signalled its own irrelevance… and put genocide in the headlines

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A demon toilet, a time portal and a scammed goat farmer: New films you can’t miss

Chronovisor, Bowels of Hell and Variations on a Theme stand out at the Rotterdam Film Festival

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The withering lows of Emerald Fennell’s Wuthering Heights

The Saltburn director ropes in Margot Robbie and Jacob Elordi to give a bleak classic the Bridgerton treatment

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Awards season is bad for cinema

The Baftas are coming. The Oscars are next. And yet again, they’ll reward hopelessly middlebrow films that honour the ruling ideas of the ruling class

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Epstein, Eyes Wide Shut and Hollywood’s sad fantasy of elegant evil

Kubrick made elite depravity look operatic. The Epstein files show the real thing as vile and vacuous

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Melania’s Leni Riefenstahl: The queasy resurrection of Brett Ratner

The director of the first lady’s troubled new film was the centre of serious accusations of sexual assault

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Is Timothée Chalamet taking the piss?

The Oscar-nominated star of Marty Supreme is either unbearably self-confident — or quietly hilarious

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The canonisation of David Lynch

A year after his death, the Twin Peaks director is universally loved. Would this Don of darkness really be happy about that?

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Death to the celebrity documentary

From the Beckhams to Eddie Murphy and Charlie Sheen, they promise truth but deliver reputation-laundering dressed up as intimacy

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Why Hamnet doesn’t get Shakespeare

Chloé Zhao’s film is deeply felt and beautifully made – but misses the essence of what made the playwright so great

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More close encounters: the must-see movies of 2026

A new Spielberg, a remake of The Bride of Frankenstein and an exploration of the Moroccan outdoor rave scene are among the films to watch out for this year

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The trouble with Brigitte Bardot

The actor, activist and icon didn't care what anyone thought of her. That was both her greatest strength and her fatal flaw

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Renate Reinsve’s impossible journey

The star who began in children's theatre in a Norwegian forest is Oscar-bound with Sentimental Value

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The weird and dangerous history of Hollywood snow

The white stuff in big movies isn’t real - sometimes it’s bleached cornflakes, sometimes fire extinguisher foam.. and it used to be asbestos

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Avatar is the biggest film franchise that no-one really cares about

James Cameron’s CGI sci-fi epics are a box-office phenomenon - but also completely forgettable

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Why The Shining is a Christmas film

Forget Die Hard. Stanley Kubrick’s The Shining is the perfect Christmas movie

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Rob Reiner understood what Trump never will: Love and being funny

The president’s social media messages about the murdered director reveal him as a humourless, bitter bigot

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When did George Clooney lose it?

The suave star once tested himself by working with prestige directors. Now he’s phoning it in in fluff like Jay Kelly

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Leatherface and me: the Chainsaw that won’t stop

The Texas Chainsaw Massacre is the most terrifying film ever made. So why did I watch it when I was 11, and why does it still have a hold on me?

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Train Dreams is the year’s most beautiful film

Joel Edgerton’s career-best performance underpins a modern classic that owes s substantial debt to Terrence Malick

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Will HAL kill Hollywood?

After years of scary AI movies, the tech is now portrayed as heroic – just as the industry’s humans come into its sights

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Why do people hate Sydney Sweeney?

The White Lotus actress is a registered Republican, but that isn’t a reason to troll her – our idea of liberal Hollywood is a myth

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The beatification of Martin Scorsese

A new documentary series turns the director into a Hollywood saint – and dulls some of his brilliance

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Are the movies finally getting mental illness right?

Starting with Jennifer Lawrence’s Die My Love, a new wave of women-led films is showing what it really means to come undone

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Is it time Emma Stone and Yorgos Lanthimos got divorced?

Bugonia is their fifth film together, and for some, the magic is wearing thin

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Why nuclear war movies are blowing up

Kathryn Bigelow’s excellent thriller A House of Dynamite is part of a mushrooming trend

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Kill, stream, repeat: has our obsession with true crime gone too far?

The mysterious serial killer who terrorised Florence is the subject of yet another true crime Netflix show

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Could you ever love a robot?

A sci-fi film from 2013 was meant to offer a utopian vision of the future – in fact it is a perfect picture of our age of techno nihilism

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