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John Bleasdale

Could you ever love a robot?

A sci-fi film from 2013 was meant to offer a utopian vision of the future – in fact it is a perfect picture of our age of techno nihilism

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The festival that shows why silent films still speak loudly

The reels from Palestine and Italy might be a century old – but they feel shockingly of the moment

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What the f**k will Marc Maron do next?

Just when America most needs dissenting voices, the comedian is retiring from his brilliant WTF podcast after 16 years

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Claudia Cardinale, the woman who made the world stand still

Mysterious, graceful and defiant, Cardinale transcended the male gaze and wrote her own legend

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Robert Redford, last of the golden gods

Robert Redford’s death reminds us of his effortless greatness - and that the age of the Hollywood giant is itself fading into history

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The Gazan child who spoke to the world

The Voice of Hind Rajab, about the last hours of a five-year-old, is breaking audiences and winning awards

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The Golden Lion goes to men… again

Indie director Jim Jarmusch scooped the award with Father Mother Sister Brother - but what does this say about the future of film festivals?

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No Other Choice, the new Parasite

Park Chan-wook’s No Other Choice is a masterfully savage comedy of murder and capitalist ruin

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The new film capital of the world is… Oslo

Norway’s new wave is winning awards and acclaim. But will funding problems kill off the boom just as audiences take notice?

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Crime scene cinema from Gaza

Two films about unfolding tragedy shock the Locarno Film Festival

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When will Quentin Tarantino shut the f*** up?

The director has given another self-aggrandising interview. He should be making better films instead

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What makes Sexy Beast so good?

Jonathan Glazer’s British gangster film hit screens 25 years ago. What is the secret to its success?

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Life and death of a one-armed twin

A mad, mournful documentary about brothers on the edge stunned the Czech Republic’s biggest film festival. Then real life caught up

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The Assassin: Why we love killers on screen

Keeley Hawes’s The Assassin is part of a rash of film and TV about professional killers. When and how did they become aspirational?

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Licence to kill a franchise

Daniel Craig’s 007 is dead, yet James Bond will return. Can Amazon revive him without ruining everything?

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The best film festival in Italy and no, it’s not Venice

No red carpets, no gaggles of reporters, no nonsense – just the chance to see all the great films you’ve missed

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Mark Gatiss, the most bookish man on the box

The creator and star of a new postwar drama talks literature, the second world war and unconventional Hollywood marriages

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The insanity and greatness of Apocalypse Now

Apocalypse Now was the one truly great Vietnam movie epic - but however mad was, it could have been a whole lot madder

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Are these the best 10 films of the 21st century so far?

A new list from the New York Times gives an insight into what actors and directors watch. But here is a personal choice

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Our obsession with sequels is ruining movies

Sequels were once considered hack work. Can cinema go back to doing what it does best?

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Adam Curtis’s Conspiracy Cinematic Universe

The documentarian returns with Shifty, another gorgeous fever dream of jaw-dropping clips and head-scratching claims

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Gaza at the movies

In Cannes, the story of a photographer killed by an Israeli air strike and a lo-fi thriller offer different visions of tragedy and retribution in the Middle East

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Ari Aster’s Eddington is not the great Covid movie we’ve been waiting for

The Hereditary director ropes Joaquin Phoenix and Emma Stone into a misanthropic failure of a conspiracy thriller

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Could Tom Cruise’s next mission be the White House?

Having saved the world numerous times on the big screen, could the star be tempted to sort out the world’s problems via political office?

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A continent of Hans Grubers

Why does MAGA hate Europe? Maybe they’ve just watched too many movies...

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The Sorrentino blues

Is Italy’s most famous director all style and no substance?

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Mussolini, Trump and me

‘When did anti-fascism become controversial?’ Director Joe Wright on the future of M: Son of the Century, his streaming series about Italy's fascist dictator

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The Assessment and the mother of all battles

Set in a future where the government decides who gets to have children, The Assessment is a personal triumph for film-maker Fleur Fortuné

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