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John Bleasdale

Why does Hollywood keep getting the Beatles wrong?

The answer is that no one can possibly play the Fab Four as well as they played themselves

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The strange death of sex in the movies

Hollywood used to understand desire. Now even its sex comedies are embarrassed about the bedroom

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Can films fight fascism? Mark Cousins thinks so

The director and critic returns with more episodes of his new epic The Story of Documentary Film

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Vicky Krieps, the woman who won’t play along

The Love Me Tender star on method acting, motherhood and refusing to fit in

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The unshakeable confidence of Julian Schnabel

The painter-turned-director’s In the Hand of Dante has divided critics. Luckily, he thinks it’s a masterpiece

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My top ten hates about online journalism, ranked

Rants, spoilers, lazy lists like this one - the internet has wrecked film writing and infected other parts of the trade, too

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Four new films that show us the trouble with happy families

Unwanted guests, bossy mums and women on the edge make Fruit Gathering, The Guest, Olivia and A Happy Family worth your money

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This is Christopher Nolan’s world, and we’re lucky to live in it

He’s consistently brilliant and consistently underrated – and The Odyssey is another reminder to enjoy greatness while it lasts.

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How a Liverpool fan fell in love with Cantona

A new documentary captures the conundrum of the ultimate individual in a team sport

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The activists trying to save cinema, one screen at a time 

Over 2,500 of Italy’s cinemas have closed since the pandemic. But a group of film enthusiasts has a plan to turn things around

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The awful truth about the revolting film Elon Musk wants you to watch

Banned in Germany and made available on X, Citizen Vigilante isn’t an aberration; it’s the logical endpoint of Hollywood’s careless obsession with a violent, racist myth

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The sheer hell of Hell Grind, a fully AI-generated movie

Does it point the way to the future? Yes, but only because the future is shit

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Spielberg’s Disclosure Day is willfully gullible guff for Trump wingnuts

The great director should have thought twice about promoting the conspiracy theories that are now a central plank of US government policy

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This is the simple secret of Obsession and Backrooms’s success

They’ve captured a moment of IP fatigue. But more than anything else, they're good

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Nicole Kidman is great. But is she any good?

For every standout performance in The Hours, there’s a stinker like Scarpetta. Yet this is part of her unknowable mystique

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How Na Hong-jin’s Hope brought glory to a second-best Cannes

The monster movie stood out at a festival full of three-star films

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Imagine this Lennon film doesn’t exist

AI slop wrecks a compelling final interview, but Cantona, Full Phil and Paper Tiger stand out at Cannes

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Soderbergh’s The Christophers underlines Hollywood’s genius problem

A film about a great painter needs great paintings to succeed

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The night before Spielberg, Lucas and Coppola took over Hollywood

A new book details how three friends invented a new American cinema - then created the blockbusters that destroyed it

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The new Michael Jackson biopic is worse than bad – it’s dangerous

‘Michael’ avoids the claims of child abuse by the King of Pop – and falls into the same old cliches

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Exclusive: Jim Jarmusch on psilocybin, Buddhist jokes and turning Tom Waits into an asshole

In his only UK interview for Father Mother Sister Brother, the director opens up about his films, his inspirations and why he hates rehearsals

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Whatever happened to the great film comedy?

Movies intended to make you scream with fright are everywhere. Ones to make you scream with laughter, not so much

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Why won’t young US celebrities speak out against Trump?

The No Kings protests were heartening - but they exposed an absence of younger stars willing to stand up

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George Orwell wasn’t a prophet – he was a warning

Raoul Peck, the director of Orwell: 2+2=5, on how the writer’s message is missed and misused – and what he would have thought of Trump and Gaza

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More quiet, fewer boobs. Is this Paolo Sorrentino’s most subversive film?

The director on his stylistic shift in the acclaimed La Grazia - and his despair at modern politics

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A night when the Oscars almost mattered

Winners like Jessie Buckley, One Battle After Another and Sinners were predictable – but the fighting spirit of cinema offered a bit of hope

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Why is every big movie now so excessive and exhausting?

The Bride, Wuthering Heights, even One Battle After Another prioritise mayhem over coherence

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Snubbed: The films and actors that should win these Oscars

From Imogen Poots to Orwell 2+2=5, the best actors and films that weren't even nominated

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Rosebush Pruning, a film that needs ruthless pruning

Future James Bond Callum Turner can’t save a pointless family drama about unhappy rich people

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Yellow Letters, the perfect winner of an imperfect Berlin film festival

A film about the cost of standing up for what you believe in is a stark contrast with the festival’s mealy-mouthed treatment of Gaza

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The film for teens that hates teens

In Good Luck. Have Fun. Don’t Die, Sam Rockwell and Gore Verbinski poke fun at the young’s tech addiction - without realising that older generations are even worse

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Travis Bickle, the first incel

Taxi Driver is 50 years old but its main character’s sexless white supremacy makes it more relevant than ever.

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