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Matthew d’Ancona

Ana de Armas’s new licence to kill

Ballerina is a smart and stylish John Wick universe detour that weaponises grace

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Trump’s war against the law

It’s high noon for American democracy. Can the Supreme Court hold the line against MAGA’s madness?

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Mountainhead is a whip-smart dystopian comedy

Jesse Armstrong’s return as writer and director of this feature-length drama has been giddily anticipated. And it does not disappoint

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Trump and Putin, the accidental founders of modern Europe

If the continent wants to survive, it has to adopt new fresh and bold thinking

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The Phoenician Scheme, a gem of a film

Wes Anderson's latest project immerses us, once again, in his surreal but sincere emotional universe

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The plot to fool America

It’s possible to feel the deepest sympathy for Joe Biden’s cancer diagnosis and still be appalled by the cover-up of his cognitive decline

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Why you must see The Fifth Step

Jack Lowden and Martin Freeman are whip-smart in this theatrical display of profundity, humour and compassion

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The Tories are dead

A toxic and debased brand may be still in denial, but the only vital signs on the right are now with Reform

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Riefenstahl is forensic film-making at its very best

Andres Veiel’s magnificent documentary lets Riefenstahl, in her interviews, recordings and archived files, speak for herself

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The populist war on law

From El Salvador to Greater Lincolnshire via the White House, populists want to sweep aside the criminal justice system as we know it

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Hiroshige: Artist of the Open Road is truly unmissable

This stunning exhibition is the first London show dedicated to Utagawa Hiroshige’s prolific creativity in more than 25 years

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Welcome home to Gilead

In a world reordered by Trump, The Handmaid’s Tale is now more relevant than Nineteen Eighty-Four

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The Shooting of Jean Charles de Menezes and the questions the Met left unanswered

To this day, the family of de Menezes has received no true justice for his killing

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A very British victory for women

The fundamental error in the case that led to the Supreme Court ruling was one of wilful blindness: the refusal of trans rights activists to acknowledge that there were two vulnerable groups involved in this controversy

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Sinners is much more than a grisly vampire movie

At its heart of this film is the megawatt screen charisma of Michael B Jordan and a deep appreciation of the blues

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Ralph Fiennes as Odysseus, and the importance of forgetting

Uberto Pasolini’s new film adaptation of the Odyssey is a psychological exploration of trauma in a world where the gods are absent

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The Beatles vs Andrew Tate

One of the Beatles’ great gifts was to reconcile masculinity with emotional intelligence

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Review: How Four Mothers connects generational divides

Directed by Darren Thornton and co-written by his brother Colin, Four Mothers is more ambitious than a gentle drama

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Could Megyn Kelly become president?

JD Vance and Pete Hegseth are both desperate to succeed Trump in the White House. But a star podcaster could beat them to it

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Is The Studio the best show of 2025 so far?

The comic dilemmas in The Studio are a joy to watch and class of Seth Rogen and Evan Goldberg's writing style

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The choreography of fascism

The shocking treatment of US deportees to El Salvador is just one attraction in Trump’s theme park of brutality. But why do so many Americans seem keen to buy a ticket?

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The Alto Knights is Robert De Niro's victory lap

Barry Levinson’s true-crime gangster story is a pleasing encapsulation of five decades of cinematic culture

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Are YOU addicted to copium?

American liberals who think Trump has already failed, and that a Democratic renaissance is on its way, understand nothing

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Black Bag will keep you guessing until the very end

Forty years since his first feature film, Steven Soderbergh has rarely been better

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Donald Trump, the Vaudeville tyrant

Trump’s bizarre quips are made for a reason – to give his audience permission not to care about the struggles of others

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The Seagull is an evening of convention-busting Chekhov

The imaginative liberties on show here are the trademark of director Thomas Ostermeier

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The abominable showman

Michael Wolff’s new book on Trump and his court reveals a president whose elixir is a cocktail of conflict and confidence, and for whom everything is spectacle

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Toxic Town and the conscience of the nation

When it comes to delivering uncomfortable truths, incisive docudramas can trump conventional politics and Jack Thorne's Toxic Town is no exception

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After the death of Atlanticism

US support is gone forever. What kind of Europe will emerge from the wreckage?

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Zero Day, a loving homage to 1970s espionage classics

Robert De Niro, in his first regular television role, is extremely entertaining in Netflix's pacey riff on hypermodern cyberwarfare

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Why The White Lotus is murderously good

The third instalment of Mike White's acclaimed series is back with its usual love of mystery, lurking lust and dark humour

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Donald Trump, American Caesar

The president and his acolytes are creating a whole new way of running a country – and this is only the beginning

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