Media

Tim Walker wanted to win over the political professionals with his debut play, and now he has

Just why is the newspaper so keen to ensure that the former speaker is never elevated to the House of Lords?

Comedian MITCH BENN shares some other events that are, when you think about it, also just like Brexit...

The paper's grandee Paul Dacre is notorious for his so-called “vagina monologues” directed at individuals who displease him

The observation that military force has become less important in how nations wield power was more credible pre-invasion

Former Today editor Sarah Sands still wants to go into business with the Tory party's co-chair

The Daily Telegraph ignores a book which challenges everything it has peddled about Brexit

The Daily Telegraph has quietly removed all trace of its Russian propaganda supplement from its website

After getting the green light to merge the Times and Sunday Times, Murdoch has virtually sacked all of their directors, including his daughter

Cal Flyn's win as The Sunday Times Young Writer of the year may have been helped by the fact that Flyn worked for the paper for five years and that her two books are published by HarperCollins - also owned by Rupert Murdoch

Losing the Mail Online's Martin Clarke is a matter of profound regret for his lordship

One thinks he's a player, while the other neglects to mention him in their Ukraine coverage

Nicholas Kenton's appointment as the Daily Telegraph's opera critic surprised MANDRAKE. Mostly as Kenton used to serve on the board of the English National Opera

Gina Miller’s QC anticipated that fans of her and her court cases against the government would approve of the production of Bloody Difficult Women, and that those who didn't, would not

Neil may have stepped down as its public face, but he still holds 62,458 shares in the company

The paper will sorely miss the man a lot of actors happily spoke to even though they said they'd never dream of talking to the Daily Mail, an informant told MANDRAKE

Not wanting to miss an opportunity to plug the school, the paper asked the Duke and Duchess of Cambridge if they were “eyeing up Eton” for George

Writing a play about two female rivals led to a depressing realisation about who really wields power in Britain

To survive storm Johnson and salvage British democracy, we must change how the UK runs its public sector

The nation needs serious politicians. Instead, we have Boris Johnson’s lies, Liz Truss’ Instagram diplomacy and Oliver Dowden’s warnings against woke

Intentions aren't everything, says philosopher NIGEL WARBURTON. Casually racist jokes can normalise contempt and hatred for minority groups

At a talk for the Institute of Directors in Ireland our editor-at-large was asked a multitude of questions, all from the perspective of: 'How did it come to this?'

Organisations with fresh ideas about how Soros’ billions can be used to get the country back to its senses find themselves being cut short when speaking in his presence

After our investigation into the 27 people who drowned in the Channel, one reader reflects on how the country should feel a collective sense of shame on their behalf

In Buying Wordle, The New York Times raised a few eyebrows. But, it does make sense in this digital age.

The parties, the lies and now the replacements... his actions show his sole objective to be personal survival, no matter the cost

An editor at the Daily Telegraph once tried to fire Boris Johnson, but he retorted that he was friends with the paper's owners and Carrie's all too familiar with this sense of entitlement

But, where is the big money for the arts going to come from?

Long may Johnson limp on, writes one reader. He's become an electoral liability which will only continue to work in the opposition's favour.

Since journalists were informed the paper would be backing Brexit in 2016, the paper's newsroom has been filled with frustration and despondency.

Following the success of Fleabag, Normal People and Drag Race UK, the channel returns after six years online. Now, it just needs the scheduled content to match the hype.

Spotify’s decision to add advisories to coronavirus content to counter misinformation shows the power of one man’s podcast but also raises wider questions about the spread of reliable information in a multi-platform world.